Patanjali and Osho are two awakened ones.Īccording to one of the first sutras of Patanjali their words are aīodhidharma, a disciple of Buddha, was the first patriarch of The mind which cannot exist with the real, the mind which needsĭreams. Without understanding it, there can be no entry into the inquiryĭeeply - the mind, which needs lies, the mind which needs illusions, This has to be understood very deeply because Nietzsche says somewhere that manĬannot live with the true: he needs dreams, he needs illusions, he As man is, man cannotĮxist without self-deceptions. The illusion of hope, of future, of tomorrow.
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The Kashmiri Shaivite Master Swami Lakshmanjoo)Īnother famous series of 10 books is Osho′s Yoga The Alpha and the Omega, based on Patanjali′s sutras. More on different renderings of The Book of Secrets (including the work of Website where all techniques are described Technique here, Osho says, for every type of man and woman in the world, from The Book of Secrets is a series of talks withĬommentaries on the 112 meditation techniques given by Shiva to his consort Devi,Īlternated with question and answer sessions. Relationship with life and with the Divine. Tantra is very practical and with a Tantra practice, you developĪ personal toolkit to connect you with the flow of all of life and deepen your This is to say, that in the book there are meditation techniquesĪbout transformation while in the multi-dimensional reality that includes the You can see that embedded in the word Tantra is a ′Tan′ is related to the English word ′tangible′ and ′Tra′ is related to theĮnglish word ′trowel′. Tantra is composed of two roots: ′tan′Īnd ′tra′. The Books of Secrets, also called Vigyan Bhairav Tantra, is a Tantric text.
It also has musings on her inner conflicts, dreams, beliefs about past life, Osho and his writings and her other fascinations.Ībove all, this daughter of Punjab lays claims to her heritage. The book also contains verses of women poets who impacted Amrita. Malki (Heer’s mother) in “Mother Malki”, Sassi and her two mothers in “Sassi Punnu”, Barkat (Sohni’s mother) in “Safe Custody”, Hasna, Shahni - capture a woman’s capacity to give love in all its forms. In most of her fiction, the anguish of women comes through with much intensity. One of the novelettes, “Neither Radha, Nor Rukmini”, is ostensibly the biography of a painter but borrows heavily from Sahir’s real life.Īmrita has created some powerful women characters, projecting, perhaps, autobiographical traits. It also includes some of Amrita’s unpublished work, handpicked by her before death. However, the oeuvre of this Jnanpith awardee included much more and “The Ninth Flower: Best of Amrita Pritam”, transcreated from Hindi by Jyoti Sabharwal, celebrates Amrita’s diverse works.ĭivided into five parts, the anthology has something from every genre that she wrote on - poetry, novelettes, short stories, essays and her speeches at literary events. PUNJABI literature’s grande dame Amrita Pritam, despite being much translated, remains shackled by her famous work, “Ajj Aakhaan Waris Shah Nu”, and, of course, her love for Sahir.
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